剧情介绍
本剧是从四个不同年代女性的婚姻命运角度出发拼接而成的一部剧，讲述了不同时期的女性的爱情婚姻故事。
第一个故事发生在清末，那个年代的封建思想还是根深蒂固的，魏瑜凤作为那是的女人，只能三从四德、言听计从，即便全部身家被嗜赌如命的丈夫输光后，也从未表现出一丝一毫的愤怒，她是坚强的，拥有着极强的抗压能力，是四个故事中最令人敬佩的一名女性。
第二个故事发生于民国五四运动期间，是旧思想与新理念碰撞的时期，汪子君作为思想较为开放的学生，选择与自己的老师私奔，争取婚姻自由的子君是叛逆的、激昂的、勇敢的。
第三个故事发生在六七十年代的香港，重男轻女的思想还是主流，慧珍不甘做个家庭主妇，凭借自己的才能与智慧在事业上闯出一片天，故事最后变为女主外、男主内，充满了笑料。
第四个故事则是现代，戴思嘉作为新时代的女性，充满了自我独立、热爱自由的特征，哪怕同男友同居，未婚先育也没人再去指指点点，这就是这个时代的包容性。
This play is a play spliced from the perspective of the marriage fate of women in four different ages, and tells the love and marriage of women in different periods. story
The first story took place in the late Qing Dynasty, when the feudal ideology was still deeply rooted. , obeyed, even after losing all her wealth by her gambling husband, she never showed the slightest anger. She is strong and has a strong ability to resist pressure. She is the most admirable character in the four stories. a woman.
The second story took place during the May Fourth Movement of the Republic of China, a period when old ideas collided with new ideas. An open student, Zijun who chooses to elope with his teacher, and fights for the freedom of marriage is rebellious, impassioned, and brave.
The third story takes place in Hong Kong in the 1960s and 1970s. Patriarchal thinking is still the mainstream, and Huizhen is unwilling to be a family The housewife, relying on her talent and wisdom to break through in her career, the story finally turned into a female protagonist outside and a male protagonist inside, full of jokes.
The fourth story is modern. Boyfriends live together, unmarried and have children first, and no one will point them out. This is the inclusiveness of this era.
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